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Theatre Arts

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  • Lighting Design: Aaron Bowersox

  • Sound Design: Lindsey Putnam

  • Set Design: Matthew Imhoff

  • Production Stage Manager: Annalee Crosser

  • Technical Director: Joseph Fleck

Sweet Charity

Director: Jane Lanier

  • Costume Design: Kathy McGill

  • Props Lead: Madisen Frazier

  • Wigs and Makeup: Madison Webber

  • Scenic Charge Artist: Madisen Frazier

  • Photography: Ben Wolfe & Allie Joseph

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The LIFE Sign

Matilda

  • Set Design: Hevia Paxson & Raegan Russel

  • Production Stage Manager: Adela Zinski

  • Costume Design: Guinevere 

  • Photography: Kendra Bates

  • Director: Hevia Paxson

  • Lighting Design: Zachary Ahmad-Kahloon

  • Sound Design: Adam Grant

  • Technical Director: Raegan Russel

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  • Lighting Design: Naomie Winch

  • Sound Design: Lindsey Putnam

  • Set Design: Matthew Imhoff

  • Production Stage Manager: Allison Gereke

  • Technical Director: J. Pizzuti

A Chorus Line

Director: Jacob Brent

  • Costume Design: Kathy McGill

  • Props Lead: Madisen Frazier

  • Wigs and Makeup: Madison Webber

  • Scenic Charge Artist: Madisen Frazier

  • Photography: Ben Wolfe, Allie Joseph

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During performances of A Chorus Line, Griffin was the light board operator. In the weeks building up to the show, he was the programmer for the show, worked on scenic painting and carpentry (stadium light posts, fake brick painting, the sunburst), practical wiring of the LED proscenium, and rigging and flying, which was overseen and led by credentialed professionals. 

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  • Lighting Design: Christian Specht

  • Sound Design: Olivia Lawson

  • Set Design: Matthew Imhoff

  • Production Stage Manager: Allison Gereke

  • Technical Director: Matthew Imhoff

The Music Man

Director: Jacob Brent

  • Costume Design: Kathy McGill

  • Props Lead: Madisen Frazier

  • Wigs and Makeup: Madison Webber

  • Scenic Charge Artist: Kristy Benson

  • Photography: Ben Wolfe

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During performances of The Music Man, Griffin operated one of the two spotlights used in the show. In the weeks building up to the show, he worked on wiring practical fixtures (the lampposts pictured above), scenic painting and carpentry (benches, gym window, windows, bridge), the suitcases (painting and finishing, troubleshooting), light fixture hanging and focusing, and rigging and flying, which was overseen and led by credentialed professionals. 

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